Archive for the ‘My Art/Design/Business’ Category

The baobab painting – now with dung beetle!

Thursday, May 7th, 2009

I finished the dung beetle and affixed it to the baobab surface, and voila! An ode to my trip to Africa. Now, I realize the dung beetle looks like he’s balancing on a meatball, but I figured I would leave a majority of the grassy bits and twiggy bits and seedy bits out of ball o’ dung. I figured most of my audience could figure it out.

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I think it turned out pretty good. I especially like the beetle. I love drawing insects, I really do. Remember B.’s moth?

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And my various other insect pieces in my portfolio… yeah, I definitely love the exoskeleton-ed.

Trapezes and Baobabs.

Tuesday, April 28th, 2009

Sorry for the “not writing” thing. Nellie (my co-worker, it’s just the two of us in this department) went on vacation this week and everyone at work wanted a presentation or a book or a handout RIGHT NOW OMG CRAZYPANTS. So I’ve been running around with a watering can putting out fires. In the design sense. But on Friday night I got to see Cricket’s sister Mishi do her swingin’ thing with the trapeze. Mishi has been taking a class on the West Side Highway at The Trapeze School and you know how dance schools have their end-of-year recital? Well, the trapeze school does the same thing. It was free and she invited me, so I went. And it was so worth it. It’s in a big tent and one sits on mats on the floor. Then all the classes (who have dressed up in costumes, this recital’s theme was “Peter Pan,” so lots of pirates and fairies) take turns climbing the palpitation-inducing ladder and do a few swing-and-catch stuff while topic-related (in this case, “Peter Pan”) music plays in the background. It was great. The audience would cheer for everyone, even if they didn’t know them. You started rooting for complete strangers, so strong was the comraderie. Here’s some footage of Mishi practicing, so you can get an idea.

http://www.youtube.com/watch?v=qSnQ9GcYwi8

http://www.youtube.com/watch?v=Mn8PfjFgOmg

This weekend I also had a chance to work on a little painting of a baobab with a dung beetle. I was hoping to share it when it was finished, but it’s taking longer than expected (it’s HARD to draw a dung beetle, I’m on my fourth attempt), so I’m going to show it to you in bits. First, the baobab:

baobab1.jpg

The colors aren’t that vivid and saturated, my scanner scans that way. And here is the dung beetle in its incompleteness:

baobab-dungbeetle.jpg

I’m going to glue the dung beetle half on the baobab and half on the dirt below the baobab. I’m thinking of moving the dung ball up and underneath the dung beetle so the whole drawing is more compact. Dung beetles back way up on their dung balls anyway, and right now this looks too much like an Egyptian scarab necklace. But this gives you an idea of where I’m heading.

This Just In: Baby Wearing Skull ‘n’ Crossbones Onesie!

Wednesday, April 15th, 2009

Remember the onesie I made for a pregnant co-worker? This one?

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Well, here it is on the baby. I just got the pictures. It’s all very exciting.

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Spider painting.

Tuesday, March 3rd, 2009

I made a painting of a spider for my mom. It looked like this:

spider-painting.jpg

And then I brought it to work at BBDO to scan it and in the process I misplaced it. I have no freakin’ clue where it went. I’ve finally gotten around to repainting it. Since I have a tendency to draw things straight on or in profile because it’s easier. I decided to challenge myself and do this in three-quarters’ view. The new spider painting looks like this:

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The colors are kind of off in this scanned image, it’s a more beige-y color and softer-looking, but it’s fairly close. I’m still unsure about painting it darker elements to enhance the look or just leaving it alone. I’m going to let it breathe for a week or so and then see how I feel.

Addendum on March 9: I took a photograph of the spider in more natural light, and I think it came out much better. I’m going to leave it alone.

spider-painting-lowres.jpg

Publicis book covers.

Monday, February 23rd, 2009

I know I said last week that I was going to blog about the dog show, and I will, but right now I just have time to show you this cool book cover I made last week. Remember this Publicis book cover I made?

publicis-cover.jpg

Well, I saw January’s cover for Computer Arts and I was inspired to do something similar for my next assignment. Here’s January’s cover:

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See how it’s kinda sorta three-dimensional? I took that plus the look of the previous cover and spent a hefty amount of time in Adobe Illustrator making it all diagonal-like. I didn’t use any extrusion tools either. I built each and every chunk using guides and anchors – lots of anchors. And skewing and rotating as well. I think it turned out pretty spiffy. Hopefully the powers that be here will like it and use it for something in the near future.

publicis-cover.jpg

I made a softie! Tongue-twister: Red shantung silk softie.

Monday, February 16th, 2009

I can’t sew. In college on my costume rotation, everyone else in the class was given cotton to sew their final project. I was given muslin. No one else got muslin, not even the lighting designers. I wasn’t worth using cotton on. That gives you an idea of my complete sewing suckitude. Which is why the fact that I crafted something out of fabric and it chose not to set itself on fire out of shame is marvelous. So check it out!

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It’s a softie made from red shantung silk (see title of post) with tan silk on the side which I beaded as well. And then there’s the face. Close-up:

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It took me a really long time to come up with that forehead design, but I’m very pleased with it. I wanted a very mellow, gentle sort of look on the face and I think I achieved that. And this little softie gets along quite well with Snorth’s sheepie-sheep.

softie2.jpg

All The Way Down: The Tortoise piece is complete.

Sunday, February 1st, 2009

I finished the tortoise piece. Wow, that only took forever, didn’t it? But it’s done, and that’s what matters. I spent four hours tweaking those four words – a little taller, adding pointy bits, deleting something, blah blah blah. But (again) done, most important thing. So lookit.

allthewaydown.jpg

I did the four-hour-tweaking, then I printed the words and cut a stencil (that took forever too) and painted the words with a semi-transparent silver on a chunk of a board I found on the streets of New York. I think, as long as you know the story (story here) it’s a kind of cool piece. I’m pleased with it. And hopefully you are too.

P.S. I gave B. the moth I painted and he liked it, he really liked it! Always nice when that happens.

Dirty Jobs and Gelly Rolls.

Friday, January 23rd, 2009

Sorry about the lackadaisical posting. You know how it gets with work sometimes. But do not fret, I’m making quite a variety of cool stuff which I will be sharing with you shortly. In the meantime, a story: I got home from work on Tuesday night at 1:10 a.m. (not kidding about work kickin’ my butt ovah here) and I wanted to fall into bed and slumber, but for some reason I flicked on the tube and Dirty Jobs was on and it was an episode I had never seen before, about recycling cows. Really. See, on farms with thousands of cows, a portion of the cow population dies of natural causes. Then the “dead truck” (their name, not mine) pulls up with a winch and winches Kicked-the-Bucket Bessy onto the truck and off to the cow recycling plant. Here’s the point where I couldn’t turn it off. If the cow is fresh enough, they use the skin for leather, but in order to get the skin off of the cow, they cut a small hole, stick a metal tube in there, and fill ‘er with air to pull the skin away from the muscle. Which looks exactly like what you would expect it to look like. Ole Bess there went from a dead cow to the world’s most disturbing Thanksgiving float in two minutes. The guys who’s job is to skin swoop in there and put the hide in the basement and cover it with salt, and then they stick the remaining skinned cow into a gigantic wood chipper a la Fargo and chip her. That also looks exactly like you would expect it to look like, which is why I will not describe it to you. The only thing about the episode that irked me was how many times Mike said, “So you separate the meat and fat, and the meat goes into farm feed, while the fat goes in cosmetics.” He kept saying “cosmetics” like you and I would say “stanky gas station bathroom”. Hey, buddy, I’ll have you know on your high-and-mighty horse* that cosmetics include soap and lotions, so you’re smearing Essence of Bessy all over yourself too. Which is why if this shkeeves you out, you should use soap made from vegetable glycerin. If it doesn’t say vegetable glycerin, chances are it’s animal-based.

*They’re skinning the horse later.

And pertaining to my artsy-artsiness, I would like to give a shout-out to Gelly Roll pens by Sakura. I only recently discovered them, and they are terrific. They have nice tiny nibs, the ink flows smoothly, and they are waterproof to a certain degree, so you can put your lines in and then paint over them with watercolors without having the ink run and smear. I haven’t investigated the myriad of wacky variations of pens Sakura makes (puffy, metallic, flourescent, glaze, etc.), I’m only speaking about the basic Gelly Roll colors right now. Excellent pens. And they sell them at Michael’s, so I don’t have to go to the fancy art store to get them.

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Pimp My Shoes.

Wednesday, January 14th, 2009

Now that Bride Wars is the #1 comedy in America, and He’s Just Not That Into You is coming out, I want to point out that not all women are psycho harpy shrews. All clear on that? Good.

Check ’em out: The way the shoes were constructed, they’re leather on the outside and spandex on the top. The spandex was getting shmutzy considerably faster than the leather, so I painted the spandex. I didn’t really have a design in mind, but I didn’t want any black. I’m trying to fight my natural inclination to paint anything and everything I wear black. Here’s a pic I took while riding on MetroNorth:

beige-shoes-small.jpg

It’s blue and magenta that gradually gets darker towards the toe, covered with metallic turquoise paint dots and the occasional orange crystals. There’s a cool side effect – when I stand on a beige surface, it looks like I belong to some profoundly bizarre foot-binding cult with long, thin feet.

A new year, a new purse.

Wednesday, January 7th, 2009

Alright already, I joined Facebook. ARE YOU HAPPY NOW? Gawd.

My octopus bag ripped a bit from me jamming pointy-sided heavy objects into it everyday for a year (it’s understandable, the ripping) so I painted myself a new bag. I really didn’t have any idea what to paint on it, but I did like this flourish from a book on ornamental design I recently picked up from Amazon (or The Money Pit, as it is to me). I printed the flourish and then cut it out as a stencil (which was incredibly difficult, thanks for asking) and then painted it in white on my bag. And then I stared on and off at the bag for three hours, wondering what to do next. I put in the rust accents and the sparkly purple dots. Then more pondering for more hours. I decided I needed a monster holding up the flourish (naturally) so I freehand-painted the blue monster. Went off and watched TV for a while. Painted the glitter and red dots on feet. Stared. Painted eyes. Eyes turned out sucky. Gently picked paint on eyes off with an X-acto knife (KIDS: Don’t try this at home. I have many years of practice wielding the X knife, you’ll shred the bag if you don’t do it right). Redid eyes. Put grassy spots under monster’s feet for depth. Was pleased with results. So, including staring and pondering time, this purse took me longer than any other I have ever worked on. I like it, though.

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I also recently painted a pair of shoes, which I need to photograph. I’ll get right on that.