Archive for the ‘Random Art Bloggery’ Category

South America 2015, Part 4.

Wednesday, September 16th, 2015

Maccu Picchu! Almost! Not quite yet! First, a whole bunch of other stuff that is not Maccu Picchu-related.

A common thing in Peru is for a gentlemen to modify his motorcycle into a three-wheeled taxi with a small exoskeleton and a backseat. It is also common for it to be super-decorated. Many were Batman-themed for some reason. This one reminded me of the Mystery Machine from Scooby-Doo cartoons.

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Peru has about 3,000 varieties of potatoes. The weirdest ones I saw were on a man’s dining room table. He said mothers-in-law would give them to daughters-in-law they did not like to peel for dinner. (They are impossible to peel. They are rhythmically lumpy.)

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I kept seeing rainbow flags all over Cusco. I mean everywhere. I was like, “Wow, Cusco is really a gay-friendly city!” Nope. I was wrong. I mean, Cusco might be a gay-friendly city, but the rainbow flag supposedly represents the seven areas of Cusco. It’s a Cusco thing, not a pro-homosexual thing.

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The day before we went to Maccu Picchu we visited some farms and tasted some homemade corn beer. At the cornbeer house there was a distinctly Peruvian game called “Frog.” If I had to compare it to something familiar to us, I would go with skeeball. It’s a tall wooden desk with a drawer and there are holes drilled in the top and sides of the desk. Most of the holes are just holes but some have spinny bronze elements and there’s a bronze frog with his mouth open in the center. You throw heavy bronze coins from about fifteen feet away and attempt to get them in the various holes. At the end you pull out the drawer and you can see how much you scored.

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I sucked so hard at this game. So very, very hard. My team would have done better if I had stayed in the bus. If one could score negative points, I would have done it.

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You could purchase the bronze elements from the homeowner / beermaker. The wooden desk you would have to make yourself.

After we played for a while (my team lost because of my previously mentioned suckery) we were ushered into a shed-like enclosure with enormous clay pots in the corner of the room. On the table was some Alice in Wonderland stuff – normal-sized ears of corn with freakishly large kernels on it, a bowl of sprouting giant kernels, and two massive glasses of what I assumed to be beer. I expected them to have neat little labels on them. “Eat me.” “Drink me.”

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Our guide Henry told us the yellow stuff is plain corn beer. It’s a couple days old and it is really low in alcohol, about 2%. It is a common theory that drinking the beer helps prevent prostate problems, but it’s probably because the men are drinking such immense quantities of liquid. I tried the beer. It wasn’t bad. It tasted exactly like watered-down white wine. You could taste the fermentation but it wasn’t overwhelming and the bubbles were almost non-existent. The homeowner only makes as much beer as she thinks she will sell in the next day or two because after that it becomes too strong. At that point it is sold to restaurants to soften their meats so nothing is wasted. The pink beer is the same but with strawberries added. Equally pleasant. Here you can appreciate the beer-lady’s fermentation pot and the gourds she serves the beer with. See how bright and well-lit it is in this shed? Skylights, people. I’m telling you, skylights change everything. It would be a dark spooky shed otherwise but because of the skylights, it was delightful. I have drunk the skylight Kool-Aid and I will convert you as well.

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Post corn imbibement we visited a local ceramic artist. He created his own style and then started a factory to both give locals job opportunities and to allow him the money to make his own one-of-a-kind pieces. First we saw the factory. It was gorgeous. There were pieces built into the stone walls.

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Upstairs women were burnishing certain portions of unfired clay so that those bits would be glossy. I had never seen agate burnishers before and I think they’re great. I don’t have anything to burnish but I want one.

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The ceramicist took us all up into his studio which was a masterpiece of organized clutter. Here you can appreciate the magical magical skylight. Being magical. I WILL CONVERT YOU ALL.

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His work is really unique and looks like something that might be in The Fifth Element. Of course, being Peruvian, what’s a sculpture without stairs?

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He had a beautiful front yard…

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…and a small paddock with ducks and two llamas. One of the llamas looked extra-special-stupid eating his grasses.

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Outside he had a hairless dog. I thought they were from Mexico and were called Xoloitzcuintli (I’ve blogged about them before) but they’re in Peru too. Huh.

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Next blog entry: a family lunch and MACCU PICCHU!

South America 2015, Part 3.

Saturday, September 12th, 2015

Ollantaytambo! A place! With terraces. And stairs. Omigod, stairs. Pre-Columbian stairs can SUCK IT. I, for one, am thrilled the Spanish came and conquered and destroyed an ancient culture because you know what they brought with them? Stairs with uniform height and depth. And railings. Magical magical railings. Hooray for European oppressors! (I seriously hated the stairs.)

But before the nightmare stairs we shall visit a local village. Unlike most cities, the major cities we visited were nowhere near a major water source. What they did have was very fertile land and melting icecaps on mountains that made rivers. A neat thing is sometimes they would build the town so the water could flow through the town in channels on the sides of the streets.

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That’s not for trash or waste, that’s fresh water that one could dip one’s pot into and use for cooking or cleaning. And remember I said there was old ruins all over place and I was not kidding, they are seriously everywhere. And wisely everyone decided ” Waste not want not” and built new village components on top of the old ruins. That’s why the bottom part is stone and the top part is stucco.

We went into a typical home interior. It was amazing. I loved it. I was the only one. We’ll get into why in a moment. It had a cement floor and the walls were leftover Inca ruins. The roof was corrugated iron sheets with panels cut out for skylights. If I had to sum up my trip to Peru it would be: A new appreciation for skylights. They are in 80% of the buildings and it immediately improves everything. Places that would be glum and dark are bright and spacious. I am now firmly on the skylight camp. Anyway, back to this house. It was just one big room with no windows, only stone niches for storage, about 50 feet by 50 feet and about 12 feet high. And everything a family could ever need was inside. One one side of the room was two beds:

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On the other side was an oven-stove thing built into the wall (so far, fine, totally normal):

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Hanging from the ceiling is dried fish, dried alpaca meat and corn (it didn’t smell therefore still okay):

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Here’s where it takes the turn and only Jessica is happy about it: Under the antique sewing machine is where the guinea pigs hang out eating alfalfa, no cages or anything, free-range (remember, this is a one-room house):

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Next to that is the family’s religious shrine with the skulls of Great-Grampa, Great-Great-Grampa and Great-Gramma sitting in the niche above the table of religious accoutrements. Yep. This is directly across from the beds so while you go to sleep you’re staring at your dead ancestors’ empty eye sockets. Sleep tight.

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See those white-ish things off to the side? I thought they were giant radishes. Nope! Dried stillborn llama babies. Always a good choice in home decoration. Beautifully paired with Granny’s skull. I think this is in the Crate & Barrel collection this season.

You’ll notice that the religious elements on the table are not Christian. That’s an interesting thing. 85% of Peru’s population is Catholic, but most of them consider themselves really fluid in that regard. They will go to mass on Sunday, but they will also go to a faith healer and worship the ancient gods. Ergo the pre-Columbian religious elements. In the pumas and llamas there there are holes in the top that look like they should be for candles, but they are filled with llama fat. The belief is that if you put the fat of an animal in these figures, they come to life and can help you communicate with the gods.

Okay, off to Ollantaytambo. Big ole terraced ruin. I don’t think people lived there, they farmed there and there was a sun temple but no homes.

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Beautiful, huh? LOOK AT THE SLOPE OF THE MOUNTAIN. Look at it. I climbed that. At 9,000 feet. If I could breathe I would have been non-stop moaning.

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Oh God whyyyyyyy stairrrrrrrrrrrs so many so uneven so lumpy ehhhhhhhhhh

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This was my first foray into Inca architecture. I learned so much. Let me see if I can recall all the things I was taught.

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All the stones were brought from somewhere else. That means that people dragged these monsters from whatever valley they originated up this steep mountainside. And in the picture below you’ll notice that the quality of the stones show the importance of the building. The terraces have meh rocks, the higher levels have large hand-cut stones that have been fitted and the top level where the temple was has giant, beautifully hewn and fitted stones. THAT means that the big beautiful stones had to be dragged up even higher. Wow.

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Double doorways delineate building entrances. So when you see a doorway nestled in a doorway that means building entrance, not just room entrance. When you’re walking around ruins with no roof or any furniture it helps you figure out how the floor plan was laid out.

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No mortar was used in the buildings because of earthquakes. It allowed the stones to shift a little bit. That’s the same reason the niches and windows are trapezoidal and smaller on top. Smart, those Inca people. You think, being so smart, they would BUILD A DECENT SET OF STAIRS okay I’m done.

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Those nubbles sticking out is how archaeologists think they stones were moved. The builders would wrap ropes around those and pull. Then, when the stones were in place the nubbles were buffed away using other pieces of granite.

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In order to match the stone shapes exactly they would lay out the entire bottom layer, then put clay on top of that. That made a mold they could follow exactly while carving. They also made tongue-and-groove joints inside the wall for added structural integrity.

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If stones fell off the walls (or were pushed off by the Spaniards, let’s be real here) the archaeologists didn’t try to put them back, they simply lined them up in neat rows on the terraces below. Cool bit of info about the terraces – there is no drainage on them. That’s because the bottom layer is rock chunks, then there’s ash and on top is soil brought up from the Sacred Valley. The water on the top terraces drain down to that rock-chunk layer and that feeds the terrace below and so on and so forth. That means no flooding or stagnant water pools.

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The wind up in the mountains is pretty intense. I think this picture really shows how non-stop it is, with the tree and the sitting area. And there are government-owned alpacas! Most of the ruins we went to had government-owned alpacas or llamas on them. The government thinks they enhance the places and Lord knows I ain’t complainin’.

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These are examples of that Incan cross I spoke of earlier with the three steps. It references the three planes of existence. It’s a common theme and we saw it all the time.

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This is the view from Ollantaytambo to the storehouses across the way.

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Since it rains so infrequently there buildings can be built out of mud. I would be concerned all the time about every cloud but another reason I found to not be on Team Adobe was when I saw all these holes and asked our guide Henry what they were. “Bee holes,” he said.

After Ollantaytambo we had an opportunity to actually see how the adobe bricks are made. A team of men were adding water to the dirt and incorporating straw into the mix, then smooshing it into a mold with their feet, gently removing the mold and letting it dry for about four days. The Moomins was delighted about the chance to assist with the smooshing. That shoe came off so fast and her foot was in there.

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I’m still not feeling the “building the house out of mud” thing, but if it works for them, more power to them.

Next entry: Pre-Machu Picchu. With maybe a sprinkling of Machu Picchu, we’ll see.

The Earth’s bounty. Of stuff and things.

Friday, August 21st, 2015

While I’m editing my 4,000 South America photos (more than halfway done! Hooray for me!) let’s look at some things.

1. That’s a pretty dope tattoo.

13ZRY

 

2. Were we all aware there is a Halloween-themed bat? It’s called the Painted Bat and it’s awesome.

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3. And there’s that Sea Bunny. Can’t get enough of him either. “Hey Jess, what did you do today?” “I watched sea slug videos on YouTube. All day.”

https://youtu.be/7n0t0iD6ae8 

 

4. I don’t know why this girl making s’mores in the most epic way ever causes me to laugh so much, but it does and here it is.

http://hartbigshipper.tumblr.com/post/125722858139/aellagirl-how-to-make-smores-i-was-going

 

5. Recently there was a marvelous exchange on Facebook that I loved. A guy named Jonathan Aslay posted what makes a woman irresistible to a man (or at least what he thinks makes a woman irresistible to a man). It said:

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Fine. That’s an okay list. Whatever. Lots of people agreed with Jonathan.

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Some people, however, had different views. They listed what they look for in a woman. And, not surprisingly, it got weird fast. Real fast.

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Some people had questions as you might imagine.

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People then expressed love for the conversation thread itself.

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And it wrapped up neatly with this final statement.

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So what we can glean from this is:
What makes a woman irresistible to a man is if she is Neil Gaiman, or possibly Terry Pratchett. With massive knockers.

New Orleans Part 5 and done.

Wednesday, July 29th, 2015

I saved my favorite tourist activity from New Orleans for last, and that was Mardi Gras World. Mardi Gras World is a studio that builds and designs all the floats for the parades. I figured they would have a few on display but happily I was incorrect. You could actually tour the workstations where pieces were being created and I totally freaked out. Cricket stopped me from quitting my N.Y. job and applying right then and there. I know all the techniques Mardi Gras World is using! I could have started working immediately! Gimme a tub of glue and I’ll paper-mache that giant raccoon! Cricket, stop dragging me away, it is my destineeeeeeeeeee!

We walked to the studio from the hotel which was not the best decision because we misread the map and it was a million miles away (about three miles really, but it was very hot so it felt longer). As we approached (on foot, in the heat, did I mention that?) you could see the size of the warehouse and appreciate the scale of it. When we walked around the interior the tour guide told us that elsewhere in the state there have fourteen more warehouses full of float-parts and scenery.

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This was the permanent installment of the jester pointing to the door. As you can sew, the threat level is Marsec 1. Since this building is on the banks of the Mississippi I assume the threat is the water level rising and not an imminent alien attack or spores that take over your brain and make you punch your neighbor.

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You then walk in the front door and are greeted by a cavalcade of nuttiness. Can you think of a thing? Chances are it’s there, next to another random thing. Some of my top collections – the Hieronymus Bosch fish chillin’ behind the vino bottle:

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The chili pepper hangin’ with The Cat in the Hat and an ornate column:

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Two wee demons looking in a mirror, a big fluorescent fish and a snow monster with stars in its fur:

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Really angry anglerfish (an anglyfish), a clock with jewels and a sparkly poison-dart frog on a sparkly mushroom:

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Napoleon, a carp bench and a pelican:

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And a nightmare spider from a 1950s movie.

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In the gift shop there was a scary chef with the ingredients of gumbo bursting forth from his cooking pot. A bit macabre for my taste, the food items popping out and smiling but to each their own.

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Off to one side was a costume that would be worn at Mardi Gras of a Crayfish Queen. I tried to convince Börkke to wear it as a wedding dress (she was getting married in Maine, I tried to convince her that they were lobsters) but she declined. Sigh.

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I went on the tour to get a better idea of the work they do at Mardi Gras World. I found out they also make props for places like Universal as shown by this dinosaur we passed. On a related note, has everyone seen the latest Jurassic World? I saw it in 3D and I would recommend that. The raptors come snappy-snappy right at your face. The new big bad dinosaur is creepy and awesome. It’s a jaunty summer film, all fluff but a good time. I’m a bit obsessed with with the giant water demon shown in the trailer, Bitey McChompersons. The one that eats the shark. I would watch a movie with only that guy in it.

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Anyway, back to awesome props. Since it was a Sunday no one was at the workstations but they had left the pieces they were constructing out so I could behave creepily and gently caress them like a lunatic. Here’s the general way this works – there are krewes, like clubs, that decide they’re going to have a Mardi Gras parade. A parade must have a theme and consist of no less than fourteen floats. The krewe then collects money throughout the year from various krewe members and then they decide on the theme. “Characters from Books.” “Important Americans Through History.” “Oceans of the World.” That kind of theme. Then they meet with a designer who lays out how the floats will look. They can reuse the substructure of previous floats which is why they are kept in giant warehouses. Did you know there’s no entrance onto the float? You need to climb on or in via a platform and you stay there all day. Therefore many floats have a restroom built into it. When the work by the designer is approved, construction begins. These float items need to be large but also very lightweight so they are made a few different ways. Mostly a welder makes the skeleton which is covered with industrial styrofoam and carved with a hot knife into the rough shape. Then it is sanded and covered with brown kraft paper paper-mache which makes the surface even and receptive to painting (exactly how I made my crab for my ocean costume!). There were some structures that were welded together and only covered with thick pieces of cardboard to give them a light, airy feel. It appears that one of next year’s themes is Chinese in nature.

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They will also pull older pieces, cut them up, remodel them, paint them and send them back out. For example, this hourglass.

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In the back area they have the full floats parked. They’re really big. None of these parades go through the French Quarter because the streets aren’t wide enough and the wires would get in the way. These all go down the main thoroughfares.

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And here’s a finished piece sitting in a workstation. I started drooling when I saw all those paints and brushes.

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And here are some photos that were left behind but are no less important.

Crab escargot. Look, it resembles a demon emerging from the bowels of hell! Dig in, kids! (It was actually delicious.)

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Cricket and my boat trip down the Ole Mississip. It was RAINING. Not raining, RAINING. All the rains. I insisted that we sit outside so we got soaked. It was cool nonetheless.

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On the boat there was a women’s restroom and it reinforced my comments on how important typeface choices are. I swore it said “Loadies” which is a terrible name for a women’s restroom. Bad. Bad designer. No biscuit.

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I would totally go back. I would like to go for Mardi Gras and watch all the parades. Maybe someday I will have that opportunity.

New Orleans, Part 4.

Monday, July 20th, 2015

Sorry for the super-long delay between posts – much has been happening here at Casa Rothmanpants and I was forced to take my first break ever from blogging in seven years. All good things occurring, but extremely time-consuming. Work is being extra-worky, I’m attempting to finish my backsplash by Thanksgiving and Børrke got married so I went up to Maine for five days. I found Maine to be delightful. I went down to the beach and swam in the Atlantic Ocean which Canada had graciously made a crisp 43 degrees. In addition there was no breaker of rocks so the water came in, slapped you on the rump with extreme vigor and then attempted to suck you out to the briny deep with the same vigor. As I said to many people, I felt like I was getting a rectal scouring from Neptune himself, trident and all*. I might have yelled at the moon at one point for all the gravity. But it ended up being wonderful because when you returned to the beach you were tingly all over. It was like a marvelous massage. I then attempted to be a normal person and sit on the beach quietly and sunbathe but I failed at that. This is an actual photo Cricket took of me “tanning”:

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Yep. That’s the real deal right there. The benefit of this technique is you can eavesdrop on everyone else’s conversation all around you. This area is a primo destination for Bostonians so I felt like I was plopped in the middle of The Town and The Fighter. Everyone was named Sean, or Brian, or Doug. The two kids behind me were Margaret and Quinn. The “a”s were flat as pancakes and there were no “r”s to be had. It was great. I ended up having a much-needed relaxing experience in Maine, the fireworks on the 4th were some of the best I’ve ever seen and the wedding was a dream. Only two complaints:

1. Why no pizza slices? Why only whole pies? I feel like this is a weird thing that only New York has. Do people not want to eat pizza the way that they eat hot dogs? And wouldn’t one end up making more money selling per-slice than the whole pie? Maine, get it together (pizza-wise).

2. Okay, those sea roses are beautiful but they are wall-to-wall thorns. They’re not like the roses you can purchase in the store. These are, like, specially bred for maximum thornitude. Stabby stabby stabby. Taking this flaw into account, is it necessary to plant them RIGHT next to walkways that lead to the beach so they curl over the handrail and plunge their owchies right into my palm? Or tug at my pants and shred my calf? Please look into this for the future. Thanks, Maine. Aside from that, great job. Very proud.

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Okay back to New Orleans (remember when I went to New Orleans a thousand years ago in May?). Before we get into The French Quarter here are some unrelated images that fit into no category. Wild cards, if you will

Beads in trees left over from Mardi Gras. I took it through a bus window but you still get the idea. It’s festive all year ’round.

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The cornstalk fence. Apparently the woman who lived in that house was from Iowa and when she married and moved there, she missed home. So her husband commissioned an ironworks factory in Philadelphia to make a fence with a cornstalk theme. One of her friends liked the pattern so much she had the same fence made for herself and it is somewhere on the other side of town. But this is the famous first fence.

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Our hotel was in the French Quarter which is most likely the most famous of the areas. It about four streets by four streets, so not very big. And because the whole area is comprised of original old buildings, living there is a hassle. There’s a homeowner’s group that tells you what you can and cannot alter on the front of your house, what flowers you can display, what color you may paint your door, etc. The benefit of all that is the houses are delicious.

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It’s not all peaches and cream. Due to the economy lots of houses have been uninhabited for a long time and it shows.

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But I feel like even in its decrepitude it adds character. One of the things I found so charming about New Orleans is how it embraces its flaws, its cracks and wrinkles. Most places would not advertise spirits taking up residence in an apartment, but N’Awlins does. It’s a selling point.

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And even though the governor said that gays were not welcome in Louisiana, New Orleans has a great gay community. This is one of the houses in that area. Not surprisingly, it is awesome. According to our tour guide, the gentlemen that live there changes their decorations seasonally. I reiterate: awesome.

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On one end of the French Quarter is the St. Louis Cathedral (named after the King of France that was ruling at the time – the state is named after him too). It’s the oldest cathedral in America, originally built as a church in 1718 and made a cathedral in 1793. The building that stands there now is predominantly from the 1850s. It’s big and white and pointy and very elegant.

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The inside was also beautiful and white and also painted with bible characters. I figured out who Moses was quickly from his halo which looked like horns. That’s actually how the whole “Jews have horns” story began: Someone mistranslated Moses’ “halo” into “horns” when taking the Old Testament from one language to another and there you have it.

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There were also beautiful stained glass windows using an old technique which is really really hard. This woman makes it look crazy easy. Trust me, it is not. You’re basically painting with dust and if you screw up you have to start all over.

https://www.youtube.com/watch?v=iweJkugpLE4&feature=share

The windows feature bible scenes but I of course was fascinated by the frames around the scenes.

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Next entry: my favorite thing in New Orleans, Mardi Gras World.

* You like that mental image? That is my gift to you.

New Orleans 2015, Part 3.

Monday, June 22nd, 2015

Pre-alligator pics:

1. We went to a fantastic café called Mister Gregory’s near the entrance of Armstrong Park. Cricket wanted to try the brie mac and cheese and I wanted to try the pain perdu which is stale bread dipped in cream and sugar and then baked so it becomes crispy on the edges. Very similar to french toast. I also had the cold brewed coffee with homemade pecan milk because when in Rome blabbity blah blah etc.

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I loved it. The food was delicious, the staff was super-nice, the interior is decorated with reclaimed trash like oil drums for seats and they played French 60s music. I could have stayed there all day. Highly recommended.

2. I could only find one store selling things made with nutria fur. They were selling nutria bras but they were very small so I didn’t get one.

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Fear not, they also sold nutria slap bracelets. I picked one made out of the left side of a nutria’s face with clearly discernible eyeball hole and a nose. I own that now. The fighting over who gets it in the will may commence now.

3. A tricycle on Bourbon Street decked in blinky lights and religious sayings. I called it the Bible-Bike because I like alliteration.

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4. A sunset over the Mississippi. I don’t know if it’s because I was on vacation but I thought the sunsets in Louisiana were better than they are at home.

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Okay, alligators. They live in the swamps of Louisiana and they are very similar to crocodiles in that they just sort of lay there and resemble logs. And they are spiky. And I wish to pet them. Nessa organized an outing for all of us to go see the alligators doing their best feigning of logs. We learned that alligator farmers come in and collect all the eggs they can find on the condition that of every 100 eggs that hatch 17 teenage alligators are returned to the swamp. Science has figured out that about 17 out of every 100 alligators make it to adulthood so that’s how many are returned to the wild. Good on you, sustainable farming.

First thing I saw at the farm was in the gift shop. It seems to me very rude to take the remains of one animal and wrap it in the remains of another. A little “rubbing it in the faces of the losers” kind of thing. But whatever, I wasn’t going to start a coup or anything.

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There was a big display in the corner of the gift shop talking about the cats that live on the property. I wondered if that famous video I had seen ages ago of the cat scaring the alligator back into the water happened at this particular swamp and it turns out, yes it did. I asked. Here’s the video in case you’re unacquainted:

https://youtu.be/p_29k6dJ6DA

We saw a bunch of gators of varying ages and sizes both basking and swimming.

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One even came up to the boat for a snack of chicken necks.

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Intensely amusing was when we saw some raccoons. Everyone ran over to the side of the boat to take pictures. You would think none of these people had ever seen a raccoon. OMG, raccoons! But these are different, these are swamp raccoons! Not the fat bastards that rummage through your trash and are a general nuisance, no no! These are fancy exotic raccoons! They were very cute and kind of shy.

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The best thing is when a little bebbeh alligator was passed around for us to hold. I have rarely been so delighted. He was so soft and smooth and plastic-y. I loved him. I could have held him forever, peppered with occasional breaks for us both to bathe and eat.

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In the next installation: the French Quarter.

Movies I’ve seen recently. Get ready for a big pile of creepy.

Thursday, April 23rd, 2015

I spent a great deal of my youth not watching what everyone else was watching. Ergo, I missed many of the movies that were the zeitgeist of the 80s and 90s. And one of those films was Se7en. Remember Se7en? With Brad Pitt? And Morgan Freeman? “What’s in the box?” That one. I had, as one does, heard just about everything that happens in that film (grossness) but I figured it was time for me to experience it, finally. Though the city that this takes place in is never named, I decided that it was the same city the movie Delicatessen takes place in. The set directors must have had a glorious time make all that flaky paint and peeling wallpaper. I would have had a blast. (Some of these shots are Delicatessen and some of them are Se7en. I wanted to jumble them together to show you how similar they are in decrepit interiors.)

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I was astonished at how not squeamed I got watching this film. I knew about sloth and how that was portrayed so as soon as I saw the air fresheners all over the ceiling I covered my eyes with a hearty NOPE because I don’t need those memories of Crusty Bed Dude. Other than that I watched the whole thing like a big girl. Alone! At night! In my apartment, with my big TV and a 65 tv wall mount full motion as well. Did I mention I was alone? Because I was. It is not a particularly stellar movie. Maybe it doesn’t hold up well over time. It’s been twenty years after all. I just didn’t find it really evocative. It felt like an extremely icky long-form episode of Law & Order or CSI or Criminal Minds, that kind of soap-opera-style procedural. Kevin Spacey was awesome (no surprise there, that man is a national treasure) but I’ve never much cared for Brad Pitt and he’s in, like, every scene. Boo. However, I’m glad I’ve finally seen it because now I have seen it.

The other movie I saw that was NOT a Nicholas Sparks movie was Perfume. Ah, Germany. Never stop being German. You know the Grimm’s Fairy Tales? They’re still bringin’ that level of “nightmares forever” type of storytelling. Brief summary: A young man is born with an unbelievable sense of smell. He loves all smells, he doesn’t rate them as good or bad. He becomes a perfumier and he figures out how to bottle the scent of femininity and happiness. Problem is you need to render that scent out of the source which means a lot of pretty ladies die so he can de-scent them. When, finally, he is caught and is taken to be hung for killing all these young ladies he releases his perfect perfume on the public and it overwhelms everyone in attendance with feelings of compassion and love. And then there’s a mass orgy. Great movie. Really weird. Really disturbing. I wanted to watch it because I love the lead actor, Ben Whishaw. If you’re not keeping an eye on him, you should. He is gonna be a big damn deal someday. It was originally a book by Patrick Süskind. Neenernator recommended it to me back when we were in college (I think she read it in the original German). Here is Amazon’s summary of the book:

In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille’s genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the “ultimate perfume”—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.

I believe Perfume is streaming on Netflix so go check it out.

Two artists that caught my eye recently.

Tuesday, April 7th, 2015

Elspeth McClean. She paints rocks. Well, she paints a variety of surfaces, but primarily it’s rocks. Rocks covered in dots. They are fantastic.

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Occasionally Elspeth will paint zodiac signs on the rocks. Or maybe a bird.

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But it’s mainly dots on rocks. I also like her oddly-shaped rocks.

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And her mandalas.

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Since there is a huge demand for her work (as there should be) Elspeth will randomly put a bunch up in her Etsy store with no warning. They sell out almost immediately. Someday maybe I will be lucky enough to have a rock by her.

https://www.etsy.com/shop/ElspethMcLean

The other artist is Xavier Casalta. He also works predominantly with dots but they are very different. Much smaller. And in greater numbers.

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His ability to shade and craft letters using pointillism is impeccable.

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I’m a little bit obsessed with Xavier’s skill. That takes a level of focus I don’t think I have.

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You can order some of his stellar work through his website:

http://casaltaxavier.bigcartel.com/

Random things n’ stuff.

Monday, April 6th, 2015

1. This man put his own labels at the wine shop and the results are glorious.

http://obviousplant.tumblr.com/post/112604964273/here-are-some-of-my-top-wine-picks

 

2. Ever wonder what the people on vintage sewing patterns are thinking? Well, wonder no more.

http://mccallspatternbehavior.tumblr.com/

 

3. This chessboard is great. The pawns are snails! I don’t play chess but I want it nonetheless.

http://www.blankwilliam.com/kngdom-chess/ts2lq71753jlchqnhwag8egaa050oi

 

Plants!

Monday, March 30th, 2015

This is going to be all plant all the time. If you ain’t down with horticulture, best come back later. Once upon a time when I was young and this horrid winter had not yet befallen us I went with my family to the Botanical Gardens in the Bronx to look at the train show.

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I figured they would have different models of trains on display betwixt the flowers and trees but no, there was so much more. There was buildings! Lots of buildings made of twigs and seeds and pods and dried leaves, all representing NYC landmarks. I thought the bridges were the best.

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The trains wove around them and went chug-chug and ding-ding and let me tell you even with all this technology nowadays it is a delight to be around a giant diorama like they would have in 18-something-something. Many of the buildings I didn’t recognize:

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Some of them I totally recognized (Grand Central, hello! I walk through you twice every day!):

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And hello there, TWA Building! I hope they repurpose you soon because you’re awesome!

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Oooh, that’s meta: The Botanical Garden inside The Botanical Garden.

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This one made me sad because it was the old Penn Station before it was torn down and replaced with that architectural toilet stall that is the present Penn Station. Even though I never knew you, Old Penn Station, I miss you. Sigh.

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And these two made me sad because… well, frankly, they suck. When you make a gazillion buildings some of them are bound to be crappy. In this case, it is Excessively Morose Statue of Liberty and Barely Distinguishable Guggenheim Museum.

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Now last week across the street from where I work at Macy’s there was the annual flower show. Macy’s has been doing repairs for the last two years so they had the flower show in a big tent out front which was lame. However, this year it’s back in the main area where the perfumes and makeup and handbags are. I missed it during the two years it was in the tent because golly gosh, it’s so beautiful.

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This year’s theme is modern art. Macy’s took Roy Lichtenstein’s art style (gigantic paintings with comic book women) and it said “Bloom!” (like “Boom!”, get it? Word play.).

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I was so proud of myself because I could name all the artists represented. There was Matisse:

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And Mondrian:

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And Magritte:

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And Monet (lotta “M” artists):

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And Klimt:

klimt

Underneath all the overhead foliage bridges were little pockets of plantery. My favorite was the escalators. Macy’s is presently redoing their basement floor so they cut off the floors right where the “down” escalators start and filled the areas with plants. For some reason I felt like the escalators still worked and if I took them I would descend into a magical forest filled with flowers and Totoros.

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Off to one side was a Picasso sculpture:

picasso

And on the other side was, honestly I have no idea. A big mossy ampersand.

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There was a sweet little impressionist-inspired garden:

impressionist-garden

And a wisteria setup with some faux Dale Chihuly glass elements shoved all up in there. I was reminded how much I love wisteria. Wisteria is dope.*

wisteria

And for some reason I can’t figure out there were funky geometric lights off in another garden. I don’t see how that ties into any of the themes but I liked them so I will not be hatin’.

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*You know how people get “Thug Life” tattoos on their abdomen? I really want to see someone get “Wisteria is Dope” across their belly in a really scary type. That would give me a great deal of joy.